All Lutherie articles – Page 32
-
Premium ❘ FeatureTrade Secrets: Reinforcing a cello bridge
A method of inserting carbon-fibre rods to ensure the bridge retains its shape
-
-
Premium ❘ FeatureMaking Matters: The height of perfection
Double bass repairers know the value of raising the saddle to help the instrument’s sound open up – but how much do you raise it by? Felix Habel reveals the formula that can give an exact measurement every time
-
FocusSteven Staryk on violin and bow forgeries
The former concertmaster of the Royal Concertgebouw and Chicago Symphony Orchestra, among other ensembles, shares his thoughts on violin and bow forgeries
-
FocusSteven Staryk on violins and bows as investments
The former concertmaster of the Royal Concertgebouw and Chicago Symphony Orchestra, among other ensembles, shares his thoughts on the value of violins and bows as investments
-
NewsNew foundation aims to increase knowledge of Dutch violin makers
The Hendrik Jacobs Foundation is run by a team of researchers and enthusiasts
-
Premium ❘ FeatureMaking Matters: Secrets of the sticks
New software, soon to be released as a free download, promises to help bow makers measure historical examples and adapt their own methods accordingly. Nelly Poidevin explains how it works
-
-
-
Premium ❘ FeatureLutherie Dynasties: a family affair
In this globalised era, there are still many families that keep up their strong lutherie traditions, with parents passing on their secrets and skills to the next generation. Peter Somerford asks how such formative influences can affect their craft, for better or for worse
-
Premium ❘ FeatureTrade Secrets: Carving the neck on a viola da gamba
One of the last jobs to be tackled in the process of making the Baroque instrument
-
Premium ❘ FeatureLutherie in China: the enterprise system
China has become a world leader in stringed instrument making, based on a system of bulk production combined with respect for craftsmanship. Sisi Ye speaks to the heads of manufacturing firms in Pinggu, Queshan and Huangqiao to learn more
-
FocusSteven Staryk on being a virtuoso violin collector
The former concertmaster of the Royal Concertgebouw and Chicago Symphony Orchestra, among other ensembles, shares examples of virtuoso violinists who were also virtuoso violin collectors
-
Premium ❘ FeatureDawn of Parisian splendour: Charles François Gand
A talented luthier and a shrewd businessman, Charles François Gand had a seismic effect on the Paris violin world despite his relatively small output. Florent Boyer presents an in-depth examination of several Gand instruments to show the development of his style
-
Premium ❘ FeatureIn Focus: A 1675 violin by Antonio Casini
Jonathan Marolle describes an instrument by Modena’s first violin maker, born around 1630
-
Premium ❘ FeatureTrade Secrets: Making a pigment grinder
A device that removes the effort from the tiresome business of grinding varnish pigments by hand
-
Premium ❘ FeatureMy Space: Marcus Kimke
A peak into the workshop of the maker based in Angers, France
-
Premium ❘ FeatureMaking Matters: Graduation studies
Is it possible to customise the sound and response of a newly built violin, in playing condition, for a specific musician? Ulf Kloo explains how it can be done, with the help of a small wooden pin in the back plate
-
FocusWhat can we learn from CT-scanning the ‘Messiah’?
In 2016 the ‘Messiah’ Stradivari was the subject of an extensive CT scanning project. Francesco Piasentini and Gregg Alf examine the resulting data, discovering repair work in the neck, and attempt to determine how it had originally been set
-
Gallery‘Thematic instruments’ by Brazilian luthier Saulo Dantas-Barreto
In this gallery we feature ‘thematic instruments’ by Brazilian luthier Saulo Dantas-Barreto, made for both musicians and art collectors. The violins are: Violino Gustave Doré, Violino Roberta Moroni, Violino Princess Isabel, Viola Klimt, Violino Van Gogh and Violino Caravaggio. Saulo Dantas-Barreto graduated from the A. Stradivari International Violin Making ...
