All Lutherie articles – Page 33
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FocusWhich shoulder rest to buy, from $25 to $1,100
In recent years manufacturers have come up with new shoulder rest designs and materials, and new dependable models have appeared both at the low end of the market and at the very highest. Femke Colborne talks to the makers with an eye on improvement, and to those who feel they ...
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Premium ❘ ArticleSoundpost: Letters to the Editor January 2021
A selection of letters The Strad receives each month from its readers around the world: January 2021 issue
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Premium ❘ ArticleAuction Report: January 2021
Despite the problems of Covid-19, the October sales went ahead as planned in London. Kevin MacDonald reviews some of the highlights
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Premium ❘ FeatureTrade Secrets: Making a partial plaster cast
A useful restoration method that can be used when a full cast is unnecessary
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Premium ❘ FeatureMaking Matters: Making fingerboards green
With speculation rife that ebony might soon be added to the CITES index of forbidden woods, Alan Beavitt shares his method for creating a fingerboard using veneers rather than full blocks of the wood
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VideoSara Zeneli plays ‘il Cremonese’ Stradivari at the Museo del Violino
In this video the violinist Sara Zeneli plays Monti’s Csárdás on the 1715 A.Stradivari ‘il Cremonese’ in the Chamber Hall of the Museo del Violino in Cremona. Read: Innovative solutions: Postcard from Cremona Read: 1734 Stradivari violin ‘Willemotte’: Late… but worth the wait
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VideoAn advent musical greeting from Dextra Musica
Every day at 11.30am, throughout the month of December, Dextra Musica are sending a small advent greeting, featuring instruments from its collection, at: www.klassiskkarantene.no/julekalender Today’s greeting comes from Sonoko Miriam Welde and Dextra’s Gagliano violin.
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VideoThe Strad Calendar 2021: Antonio Stradivari 1707 ‘Rivaz, Baron Gutmann’ violin
The ‘Rivaz, Baron Gutmann’ is a powerful instrument, made from a beautiful single piece of deeply figured maple
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VideoThe Strad Calendar 2021: Gasparo da Salò double bass c.1580
The workmanship of this bass is typical of Gasparo, with the distinctive double purfling and long, widely set f-holes
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FocusThe Strad Calendar 2021: Giovanni Battista Rogeri cello 1695
The arching of the Rogeri is flat, unlike the bulbous forms of most of his contemporary makers
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FocusCello varnish badly damaged in calamitous hand sanitiser spill
The repair job on the instrument’s coating took more than 80 hours
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VideoAuner Quartett violinist plays ‘ex Rouse-Boughton’ Stradivari
the Auner Quartett from Vienna recently received two more Instruments from the National Bank of Austria, a Giovanni Grancino cello (‘ex Piatti’, - ‘ex Dunlop’, Milano 1706); and an Antonio Stradivari violin (‘ex Rouse-Boughton’, Cremona 1698). In this video, one of the group’s violinists - Barbara de Menezes Galante ...
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VideoThe Strad Calendar 2021: Carlo Bergonzi ‘Kreisler’ violin 1735
The ‘Kreisler’s characteristically thin yet intensely coloured varnish is in abundance
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Premium ❘ ArticleSoundpost: Letters to the Editor December 2020
A selection of letters The Strad receives each month from its readers around the world: December 2020 issue
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Premium ❘ FeatureTrade Secrets: Preparing an instrument for varnishing
A guide to the steps needed for the final coat of varnish to show up to its best effect
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Premium ❘ FeatureMaking Matters: All laid out in black and white
Stradivari’s method for laying out f-holes has long been a mystery. Torbjörn Zethelius reveals the method he believes the Cremonese master may have used, and how it can still be useful today
