Lutherie – Page 47
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Premium ❘ FeatureWhat to play when trying out a new stringed instrument
Buying a new instrument is as much about rigorous auditioning as it is about falling in love...
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Premium ❘ GalleryFrom the Archive: a violin by Nicolas Lupot, Paris, 1809
This illustration of a violin by Nicolas Lupot was published in The Strad, December 1972. The following text is extracted from the article accompanying the photographs
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Premium ❘ FeatureAsk the Experts: choosing a new violin tailpiece
A violinist asks what he should consider when choosing a new tailpiece – from the material used to the weight and shape
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FeatureAre dendrochronology reports useful in valuing an instrument?
Dealers and auction houses increasingly include dendrochronology reports along with high-value instruments, but how meaningful are they in verifying an attribution?
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Premium ❘ FeatureWhen does a violin copy become a forgery?
There's a fine line between copying an instrument and forging a masterpiece. Alan Coggins offers a humorous perspective on the perils luthiers face when interpreting past masters
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Premium ❘ GalleryFrom the Archive: a violin by Benjamin Banks, Salisbury, late 18th century
This illustration of a violin by Benjamin Banks was published in The Strad, May 1970. The following text is extracted from the article accompanying the photographs
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Premium ❘ FeatureFirst Class: European bow makers in America
Despite achieving a high level of quality, the American bow makers of the early 20th century have languished in obscurity – until now. Raphael Gold explores the lives of Frank Kovanda, Ernst Lohberg and Anders Halvarson, who all learnt their craft in the Chicago workshop of William Lewis & Son ...
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Premium ❘ FeatureViews on the Bridge
In the second of two articles on set-up, Joseph Curtin investigates the acoustical role of the violin bridge and the interconnected relationships between mass, frequency and resonance
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Premium ❘ GalleryFrom the Archive: the ‘Doria’ Maggini violin
This illustration of the ‘Doria’ Maggini was published in The Strad, June 1939. The following text is extracted from the article accompanying the photographs
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Premium ❘ GalleryFrom the Archive: a violin by Luigi Fabris of Venice
This illustration of a violin by Luigi Fabris of Venice was published in The Strad, October 1938. The following text is extracted from the article accompanying the photographs
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FeatureCremona hosts Cremonese treasures on loan from the US
The Museo del Violino is hosting a special exhibition of some of the National Music Museum’s finest Cremonese instruments while the US institution is closed for renovations
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Premium ❘ GalleryFrom the Archive: a cello by Gennaro Gagliano of Naples
This illustration of a cello by Gennaro Gagliano was published in The Strad, March 1938. The following text is extracted from the article accompanying the photographs
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Premium ❘ GalleryFrom the Archive: a violin by Antonio Gragnani
This illustration of a violin by Antonio Gragnani was published in The Strad, January 1938. The following text is extracted from the article accompanying the photographs
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Premium ❘ FeatureTrade Secrets: Recreating original purfling
Precision and care are prerequisites for this detailed restoration method
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Premium ❘ FeatureMaking Matters: Ten out of ten
The great 19th-century French bow makers had to produce a large amount of stock to make a living. Christophe Landon explores how their working methods differed from ours, as he makes ten simultaneous copies of one Peccatte bow
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BlogsPostcard from the inaugural Australian Luthier & Archetier Congress
Peter Reid writes a first-hand account of the first international violin making workshop in Australia in decades
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VideoBBC Radio 4: The Instrument Makers
In this radio programme, cellist and presenter Verity Sharp hears the stories of four very different instrument makers
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Premium ❘ Feature7 things to remember when buying a bow
Bows, for so long seen as mere accessories, are increasingly attracting serious investors, writes Femke Colborne
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Premium ❘ GalleryFrom the Archive: a violin by Francesco Rugeri, Cremona, 1678
This illustration of a violin by Francesco Rugeri was published in The Strad, November 1937. The following text is extracted from the article accompanying the photographs
