Lutherie – Page 56
-
VideoClarissa Bevilacqua plays Bach on the 1669 'Clisbee' Stradivarius
Seventeen-year-old violinist Clarissa Bevilacqua performs the Andante from Bach’s Sonata no.2 on the 1669 ‘Clisbee’ Stradivari from the collection of the Museo del Violino, Cremona. Clarissa Bevilaqua’s biography: She started playing the violin at age five, and debuted at the Pritzker Pavilion in Chicago in front of ten thousand people ...
-
VideoSheku Kanneh-Mason gets his Amati serviced by Florian Leonhard
Cellist Sheku Kanneh-Mason, who was recently seen by millions playing at the internationally televised royal wedding, in this video from Classic FM takes the Amati which is on loan to him to have its soundpost adjusted by Florian Leonhard. Read: 17-year-old cellist Sheku Kanneh-Mason receives 400-year-old Amati on permanent loan ...
-
FocusTitanium: the perfect material for instrument fittings?
Tough and light, titanium is thought to be the leading material for stringed instrument adjusters and fixtures, but does the metal have acoustic benefits too? Peter Somerford investigates
-
FocusFrom the archive: a 1717 Brescian cello by Pietro Giacomo Rogeri
Marked forever by Paganini and nearly lost in the snow by Piatti, this 1717 cello by Pietro Giacomo Rogeri has had a colourful history. Article by John Dilworth from the July 2009 issue
-
NewsGallery: X-raying a Strad case
Dimitri Musafia shares what is likely the first X-ray of a case from the Stradivari workshop
-
FocusGeared pegs: why isn't everyone using them?
Geared pegs have their advocates and detractors but, as Tom Stewart finds out, the innovation has benefits for a broad range of players, from young students to seasoned professionals
-
VideoRob Landes tries out a titanium violin
In this video, violinist Rob Landes experiments with a violin made out of sheet titanium. Its maker described some of the challenges invoveld in its construction: ‘The number one problem when working with titanium is it reacts with the oxygen in air anytime it is over 800 degrees F. The ...
-
FocusFrom the archive: the 1697 'Molitor' Stradivarius
This article by Philip Kass was first published in the December 2010 issue, soon after the instrument had been sold to Anne Akiko Meyers for a then-record $3.6m
-
NewsTen Stradivarius instruments brought together for D.C. concert
Library of Congress collection joined by ‘Paganini’ quartet for special event. Philip J. Kass reports
-
FocusFrom the archive: a violin by Santino Lavazza, c.1720
In the January 2007 issue, John Dilworth took a close look at a violin by one of the lesser known Milanese makers of the 18th century
-
FocusMy Space: Benedict Puglisi, Melbourne, Australia
A peek into lutherie workshops around the world with The Strad. From the May 2018 issue [click + to zoom]
-
FocusThe ‘Vieuxtemps’ Guarneri ‘Del Gesù’
Currently the world’s most expensive violin, the 1741 ‘Vieuxtemps’ Guarneri ‘del Gesù’ is in a remarkable state of preservation, considering it has been in use for most of its life. In this extract from the first of a two-part article, Terry Borman introduces the instrument’s most celebrated owner
-
FocusLeila Josefowicz: on choosing to play a new violin
The violinist talks about giving up on old Italian instruments and opting for a bespoke violin by maker Sam Zygmuntowicz
-
VideoWhy Stradivarius violins are worth millions
From Vox comes a video exploring some of the mystique behind Stradivari violins. Featuring violinists Philippe Quint and Michelle Kim, luthier Joseph Curtin. Produced and presented by Dean Peterson for Vox.com.
-
FocusFrom the archive: the 1865 ‘Caraman de Chimay’ Vuillaume
In the February 2010 issue, Tim Ingles took a close look at a decorated violin which was part of a now separated quartet of instruments
-
FocusA beginner's guide to identifying a Stradivarius
Figuring out the maker of an unknown violin takes a trained eye and a detective’s skill, says luthier John Dilworth. Here he gives his personal perspective on the clues and processes of elimination that help experts pinpoint an instrument’s origins. From the July 2010 issue
-
VideoThe 5+1 common types of violin maker
Oslo based violin maker Jacob von der Lippe has a go at impersonating some of the violin maker types he’s come across.
-
GalleryFrom the archive: a c.1720 violin by Carlo Bergonzi
John Dilworth examines an early violin by the Cremonese maker, which used to belong to Paganini. First published in the April 2006 issue
-
FocusBuilding bridges: a photo essay
Have you ever wondered who makes the world’s stringed instrument bridges, and how? In this gallery, we follow the process from tree trunk to blank bridge
-
Premium ❘ FocusDid the Cremonese have access to wood with unique special qualities?
Were the old Cremonese luthiers really using better woods than those available to other makers in Europe? In this article from 2013, Terry Borman and Berend Stoel presented a study of density that suggested otherwise
