Lutherie – Page 59
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From the archive: Yehudi Menuhin discusses his violins, including this Guarneri copy by Glen Collins
These photographs of a 1987 copy of the ‘d’Egville’ Guarneri by Glen Collins appeared in the April 1991 issue alongside an interview feature with Yehudi Menuhin on the occasion of his 75th birthday. The interviewer was Tully Potter – who still works with The Strad as our historical consultant
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Luthiers' favourite gadgets from ancient plant matter to the latest tech
We asked some top makers and restorers to share their favourite labour-saving devices, and got a fascinatingly broad range of responses
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From The Strad Calendar 2018: Stradivarius ‘Lam, ex-Scotland University’ violin, 1734
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this violin from the Lerner-Lam family collection featuring in November. Text by John Dilworth
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Tourte bow demolishes price records in French auction
Violin bow by François Xavier Tourte sells for €576,600 (c.$687,000) at Vichy Enchères the day after same house breaks record for violin by Vuillaume
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New record set for Vuillaume violin once owned by Eugène Ysaÿe
Vichy Enchères sale of Bernard Millant collection sees J.B. Vuillaume reach €260,000
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From the archive: double basses by Montagnana, Rocca, Guadagnini and Panormo
These photos were published in the February 1991 issue of The Strad in a focus on the double bass, including a interviews with Barry Guy, and Samuel & Barry Kolstein, a profile of the Ouchard bass bow making workshop, and a tribute to Towry Piper whose 1911 articles for The ...
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Finding Bespoke: The Violinmaker – A film by Michael Bernard featuring Benning Violins
Filmmaker Michael Bernard’s short film in his ‘Finding Bespoke’ series visits Benning Violins, a four-generation lutherie workshop in Los Angeles. Eric Benning is featured in the December 2017 issue of The Strad’s ‘My Space’ column – to read the full article, download the issue on desktop computer, ...
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Hi-res revelations: how CT scanning is revealing the secrets of the old Cremonese makers
In the January 2018 issue of The Strad, Rudolf Hopfner explores the CT scanning of stringed instruments, explaining how the technology works, some of the terms involved, and exactly what kind of revelations can be gleaned from the resulting images. Below, he interprets CT images of instruments by Amati, Stradivari, ...
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Can these new tailpiece designs raise the tonal game of your instrument?
Until recently, the importance of an instrument’s tailpiece was barely realised. Vicky Sharpe talks to some of the craftsmen who have been experimenting with different materials and designs to help maximise an instrument’s sound quality
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Edgar Russ: The right soundpost position
Continuing his YouTube series, Cremona-based luthier Edgar Russ talks about how to work out the correct position of the soundpost
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Christian Tetzlaff on his 2000 Greiner violin
Christian Tetzlaff switched from playing older instruments to a modern one built by the German luthier Stefan-Peter Greiner. In this video from the Czech Philharmonic he suggests that ”Stradivari and Guarneri ‘del Gesù’ were fantastic violin makers but their instruments are not good because they are old and Italian, but ...
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Vadim Gluzman on the 1690 ‘Leopold Auer’ Stradivarius
In this video from the Czech Philharmonic, Vadim Gluzman recalls meeting the ‘Leopold Auer’ Stradivari 21 years ago and how it feels to play the instrument which belonged to the great violin pedagogue who tauch Mischa Elman, Jascha Heifetz and Nathan Milstein
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From The Strad Calendar 2018: Violin by Andrea Amati, c.1566
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this violin from a private collection in Germany featuring in October. Text by John Dilworth
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From the Archive: the 1729 ‘Récamier’ Stradivarius from the January 1991 issue of The Strad
Mischa Elman’s violin was featured alongside an article marking his centenary, extracted from the book Mischa Elman and the Romantic Style by Allan Kozinn
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Stradivari's Cremona was an unstable place, ravaged by war and disease
Exactly 280 years ago in December, master violin maker Antonio Stradivari met his end. Here Andrew Dipper recounts how the changes that took place in Cremona during his final years influenced the creation of his later masterpieces
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Making a carbon fibre bow in 10 steps – photo story
Founded in 1999, Arcus has developed a reputation for making lightweight, durable bows from non-traditional materials. Company director Bernd Müsing explains how a composite bow is made, from initial design to first hair fitting
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It's the inside of the violin which governs its sound – how did we end up carving the outside arch first?
For almost two centuries luthiers have been copying instruments using the French method which, Torbjörn Zethelius argues, doesn’t give the interior carving of the violin the primacy it deserves – and crucially, that which it had in the hands of the original Italian makers
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Gallery: Violin Society of America 2017 convention
The Violin Society of America’s 45th annual convention took place in Arlington, Virginia, on 9-11 November. Photographs by luthier Christopher Jacoby, editor of the VSA members’ magazine The Scroll 1. John Montgomery showing off the 1699 ‘Castelbarco’ Stradivari cello in the Library of Congress, during the Lottery Preconvention ...
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From the archive: Edward Stollar at 80, from the July 1990 issue of The Strad
The head of the Phillips auction house music department in London for decades, Stollar was one of the violin trade’s most respected figures. The following is an extract from an article in the July 1990 issue of the strad by Robert Lewin
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From The Strad Calendar 2018: Stradivarius viola, 1715
Based in Cremona, the Friends of Stradivari network brings together instruments owned by collectors and stringed-instrument enthusiasts from around the world. The Strad Calendar 2018 celebrates twelve of these treasures, with this viola from the Russian State Collection featuring in September. Text by John Dilworth