December 2021 issue
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Cover features
Bottesini’s 200th anniversary: The world at his feet
Stephen Street looks at the life and career of the remarkable artist Giovanni Bottesini and introduces us to his catalogue of works
The Venetian double bass: Venetian splendour
Many of the great Italian double bass makers lived and worked in the city of Venice. Thomas Martin, George Martin and Martin Lawrence tell the stories of some of the leading names in the trade, with commentary on a number of their instruments
Wood treatment: The magic touch
New research has revealed how Stradivari, Amati and Guarneri ‘del Gesù’ all used tonewood that had been heavily treated with chemicals prior to carving. Wenjie Cai and Hwan-Ching Tai explain the study’s findings, and suggest it could indicate that the Cremonese makers were influenced by the contemporary alchemical beliefs
Abel Selaocoe: Uniting voice
South African cellist-singer-composer Abel Selaocoe’s genre-defying performances have earned him several recent awards and a recording contract with Warner Classics. Tom Stewart meets the Manchester-based musician following his powerful BBC Proms 2021 debut
Heifetz as teacher: Words from the master
Ayke Agus served as Heifetz’s personal accompanist during classes and performances for the last 15 years of his life. Here, she shares recollections of his practice routine and teaching methods with Enrico Alvares
Cover story
The Venetian double bass: Venetian splendour
Many of the great Italian double bass makers lived and worked in the city of Venice. Thomas Martin, George Martin and Martin Lawrence tell the stories of some of the leading names in the trade, with commentary on a number of their instruments
Playing
Abel Selaocoe: Uniting voice
South African cellist-singer-composer Abel Selaocoe’s genre-defying performances have earned him several recent awards and a recording contract with Warner Classics. Tom Stewart meets the Manchester-based musician following his powerful BBC Proms 2021 debut
Lutherie
Wood treatment: The magic touch
New research has revealed how Stradivari, Amati and Guarneri ‘del Gesù’ all used tonewood that had been heavily treated with chemicals prior to carving. Wenjie Cai and Hwan-Ching Tai explain the study’s findings, and suggest it could indicate that the Cremonese makers were influenced by the contemporary alchemical beliefs
Trade Secrets
Trade Secrets: Making an invisible neck graft
A procedure that takes a little longer than the standard method, but results in an almost undetectable fitting
Recording reviews
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Concert reviews
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Book reviews
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