All Piatigorsky International Cello Festival articles – Page 2
-
ArticleIn Focus: a 1786 cello by Jacques Pierre Michelot
John Dilworth examines a hastily built but robust 1786 French cello, with photos by Richard Valencia, in an article from September 2005
-
ArticleIn Focus: a 1693 cello by Giovanni Grancino
Ed Keohane examines an instrument by the Milanese maker, with photos by Richard Valencia, in an article from January 2007
-
ArticleMy Heroes: Steven Isserlis on Pablo Casals and Daniil Shafran
Pablo Casals’s musical commitment and Daniil Shafran’s ease and freedom were sources of inspiration for the British cellist
-
ArticleIn Focus: an 1817 cello by Giacomo Rivolta
Christopher Reuning examines an insturment by the Novara-born maker, with photos by Matthew Tolzmann, in an article from February 2007
-
ArticleSentimental Work: Ralph Kirshbaum on the Elgar Cello Concerto
The Elgar Cello Concerto has played an important part in some of the US cellist and pedagogue’s most memorable, emotional and significant concerts
-
ArticleOpinion: ‘The cello has never been more popular’
In the years since Gregor Piatigorsky first set out to boost the cello’s profile, the instrument has seen a massive growth in popularity, particularly through the efforts of crossover artists, says Yoshika Masuda
-
ArticleGrand Designs: Postcard from the 2016 Piatigorsky International Cello Festival
Named after the cellist who helped to popularise his instrument in the US, the Piatigorsky International Cello Festival held its second quadrennial edition in May. Chloe Cutts was in Los Angeles and spoke to founder and artistic director Ralph Kirshbaum about his vision for the event
-
ArticleGreat Cellists: Gregor Piatigorsky
Matthew Rye pays tribute to a musician whose panache and technical prowess helped popularise the cello in the US as a solo and recital instrument
-
ArticleCity of Angels: Postcard from the 2012 Piatigorsky International Cello Festival
Cello celebrities gathered en masse to share their music and wisdom at the 2012 Piatigorsky Festival, but the real superstar was the man they came to honour, as Ariane Todes reports
-
Premium ❘ FeatureMasterclass: Daniel Müller-Schott on Franck Violin Sonata (Cello Version)
The German cellist looks at the importance of connection, colour and line in the work’s third movement
-
Premium ❘ FeatureA Human Heart
To mark the centenary of the completion and premiere of Elgar’s Cello Concerto, cellist Raphael Wallfisch reflects upon the period and circumstances surrounding the work’s creation and subsequent life
-
FocusTechnique: Minna Rose Chung on double stopping and Tartini tones
Using ‘difference tones’ to perfect your intonation when tackling double stopping passagework
-
FocusTechnique: Developing a 'cello vocabulary' for more effective practice with Amit Peled
A system of emoticons and words you can use to help you remember important technical ideas, by Amit Peled, cello faculty at the Peabody Conservatory of The Johns Hopkins University
- Previous Page
- Page1
- Page2
- Next Page
