Read violinist Esther Yoo’s personal insights on the tools of her trade
Yoo plays the 1704 ‘Prince Obolensky’ Stradivari, lent by a private collector. She says it was clear when she tried it that she felt comfortable with it, physically and soundwise. ‘It hadn’t been played for a long time, so I had to imagine its potential once it started opening up. I had to work out how it would react and what its sound was. I was taking a chance, but I think it was worthwhile! I felt I could explore and develop and grow with it. Over the years I’ve been able to discover my sound and my expression. The violin also changes and adapts to the person, it’s a relationship that is alive and growing, and that is the great beauty of playing with an old Italian instrument.’
Yoo’s favourite bow is a Dominique Peccatte that she uses for concerts and recordings. ‘It’s an all-round bow for me – it has a beautiful, fluent lyricism and it’s also extremely precise and sharp, bringing out great dynamics and accents. As with my violin, I feel lucky to have used this bow for a long time.’
Watch Yoo perform Shostakovich Piano Trio with her ensemble ZEN Trio:
Read: ‘We aren’t going back to how it was’ - Esther Yoo on being a musician during the pandemic
Read: Physical and mental health: Artist Confidential with Esther Yoo featuring Miloš
-
This article was published in the August 2021 Esther Yoo issue
The American violinist on competitions, collaborations and the importance of maintaining a positive outlook. Explore all the articles in this issue . Explore all the articles in this issue
More from this issue…
- American violinist Esther Yoo
- The benefits of an adjustable violin neck
- Bach’s Solo Violin Partitas
- The Herrmann bow making dynasty
- Female violinists in 18th-century England
- Making accurate arching templates
Read more playing content here
No comments yet