All Regulars articles – Page 26
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Premium ❘ FeatureIn Focus: A c.1750 violin by Santo Serafin
Jonathan Marolle investigates the mid-18th-century Italian instrument
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Premium ❘ Focus‘I was falling in love with chamber music all over again’ - Postcard from Napa Valley
Laurence Vittes finds that the combination of chamber music and the vineyards of California’s Napa Valley makes a festival that’s hard to resist
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Premium ❘ Feature21st-century technology in lutherie - Making Matters: Augmented reality
Paul Noulet and Benoit Dupeux on how 21st-century technology can add to the luthier’s arsenal of violin making tools
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Premium ❘ Focus‘It seemed like the Mount Everest of the repertoire’ - Nicolas Altstaedt on Dvořák's ‘Dumky’ trio
Dvořák’s ‘Dumky’ Piano Trio always seemed like the Mount Everest of the repertoire, until the Covid lockdowns gave the German cellist a chance to find the real meaning behind it
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Premium ❘ FeatureTrade Secrets: Making a scroll cast using foam
An efficient method of casting a scroll that eliminates the need for silicone rubber
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Premium ❘ Feature‘There are several spirits that occupy the hotel’ - My Space: Huthmaker Family
The violin-making family takes us on a tour of their Atlanta, GA, workshop
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Premium ❘ FocusOpinion: How teachers can help students deal with feelings of futility and despair
Neesa Sunar explores how teachers can call on their own experience to help pupils struggling with feelings of sadness or futility
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Premium ❘ ArticleAnalysis November 2022: ‘The gigging system is not set up for fuel to be this expensive’
With the cost of petrol, heating and food skyrocketing in recent months, the outlook for freelance musicians this winter is less than healthy
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Premium ❘ News‘I find political demonstrations strangely comical’ - Premiere of the Month: Scotland Unite
An all-Scottish team joins together for a light-hearted quintet
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Premium ❘ Feature‘Paganini’s body was buried and re-buried no less than nine times’ - From the archive: November 1932
Violinist and Paganini expert Julius Siber gives some biographical notes on the ‘demon violinist’ to mark the 150th anniversary of his birth
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Premium ❘ ArticleNovember 2022: Editor’s welcome and contents
The Strad’s editor Emma Baker introduces the November 2022 issue
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Premium ❘ ArticleProducts November 2022: Astrea synthetic violin strings
New synthetic-core strings for violin
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Premium ❘ ArticleProducts November 2022: Musafia Alisea case
A lighter option for four already-existing cases
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Premium ❘ Article‘I know – I was there’: Letters to the editor November 2022
A selection of letters The Strad receives each month from its readers around the world: November 2022 issue
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Premium ❘ ArticleProducts November 2022: Coloured bow frogs
An affordable range of uniquely colourful bow frogs
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Premium ❘ NewsCompetitions, Awards and Appointments: November 2022
This month’s competition results, appointments and forthcoming contests
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Premium ❘ Feature‘I shall be obliged to drop the fiddle’ - From the archive: October 1892
Under the heading ‘Hot Hands’, readers attempt to help a novice player with that affliction in The Strad’s ‘Correspondence’ section
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Premium ❘ FocusOpinion: Does an orchestra’s home hall define its sound?
Edwin Barker, principal double bass of the Boston Symphony, argues that an orchestra’s ‘home’ concert hall shapes the unique character of the ensemble
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Premium ❘ FeatureMasterclass: Debussy Cello Sonata
Abel Selaocoe delves deep into the first movement of Debussy’s only sonata for cello
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Premium ❘ Feature‘This might be the smallest workshop ever featured in The Strad’ - My Space: Ilja Grawert
A look at the luthier’s travelling workshop near the Australian Whitsunday Islands
