All Regulars articles – Page 30
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Premium ❘ FeatureIn Focus: An 1875 viola by Domenico Degani
Ernst Fuchs details an instrument by the accomplished maker, now best-known as the father of Eugenio Degani
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Premium ❘ FeatureIn Focus: A 1762 violin by Gennaro Gagliano
Yuri Pochekin examines the Neopolitan maker’s 18th-century instrument
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Premium ❘ FocusHsin-Yun Huang: Life Lessons
The Taiwanese violist on what she learnt from her early years, and her move to the UK’s Yehudi Menuhin School
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Premium ❘ FeatureTechnique: Smooth string-crossings
David Gillham, associate professor of violin at the University of British Colombia and string tutor at Domaine Forget, Quebec, Canada, on how to anticipate and execute string-crossings with maximum fluidity and control
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Premium ❘ ArticleAnalysis July 2022: Beyond priceless
Violins by Stradivari and Guarneri ‘del Gesù’ both came up for auction at the beginning of June. Records were expected to be broken – but what is the true value of these instruments? By Peter Somerford
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Premium ❘ FeatureIn Focus: A c.1680 double bass by Girolamo Amati II
René Zaal details an instrument by the son of the more well-known Nicolò Amati, and the grandson of his namesake Girolamo Amati I
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Premium ❘ FeatureMy Space: Elisa Scrollavezza & Andrea Zanrè
The Parma-based makers take us on a tour of their workplace
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![USE [1] Residence and cove pc Rita Fernandes](https://dnan0fzjxntrj.cloudfront.net/Pictures/100x67/1/3/8/26138_use1residenceandcovepcritafernandes_558849.jpg)
Premium ❘ FocusMusic by the sea: Postcard from Cornwall
The annual series of masterclasses held in the spectacular setting of Cornwall’s Prussia Cove celebrates its 50th anniversary this year. Rita Fernandes explores its welcoming and nurturing atmosphere
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Premium ❘ FeatureMaking Matters: Set the records straight
Acoustic testing can generate a huge amount of data on a single instrument. Rainer Beilharz shows how to record it in a meaningful way for visually oriented people
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Premium ❘ FocusOpinion: Playing by numbers
In theory, it is possible for a student to gain their ABRSM Grade 8 having only learnt 24 pieces in their life. Davina Shum argues that such a quantified approach to learning is no way to become a rounded musician
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Premium ❘ FeatureTrade Secrets: Designing and making a ferrule
This small part of a bow frog can have a huge effect on the bow’s final overall style
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Premium ❘ NewsPremiere of the Month: Far from home
A Greek folk song is the inspiration for a meditative viola concerto
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Premium ❘ Article‘I recall lessons with teachers texting on the phone while I was playing’: Letters to the editor July 2022
A selection of letters The Strad receives each month from its readers around the world: July 2022 issue
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Premium ❘ NewsCompetitions, Awards and Appointments: July 2022
This month’s competition results, appointments and forthcoming contests
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Premium ❘ ArticleJuly 2022: Editor’s welcome and contents
The Strad’s editor Emma Baker introduces the July 2022 issue
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Premium ❘ Feature‘Dvorak was a brilliant specimen of a bad conductor’: From the archive: July 1932
The great cellist and pedagogue Carl Fuchs (1865–1951) recalls some of the great players and composers seen during his time in Manchester – including the original Brodsky Quartet
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Premium ❘ FeatureMaking Matters: Change and decay?
Matthieu Besseling argues we are currently seeing a ‘second transition period’ in instrument and bow making, analogous to the changes at the end of the 18th century – but are they all to the good?
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Premium ❘ NewsPremiere of the Month: A matter of life and death
Giving birth to new life forms the basis of this British composer’s work
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Premium ❘ FocusOpinion: The power of imagination
To enhance a pupil’s learning, it is useful to build a list of words and catchphrases that conjure images relating to different techniques. Jeffrey Howard introduces his own ‘violin vocabulary’
