All Regulars articles – Page 31
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Sentimental Work: Joshua Bell
Wieniawski’s Violin Concerto no.2 brings back fond memories for the American violinist, from studies at Meadowmount to reminiscences of his mentor Josef Gingold
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In Focus: A 1904 violin by Erminio Montefiori
Alberto Giordano looks at the self-taught Italian luthier’s 20th-century instrument
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Technique: Phrasing musically under pressure
Double bassist Edwin Barker shares exercises in repetition and variation to ensure maximum musical security on stage
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That festival feeling: Postcard from Odense
Davina Shum reports on the violin final of the Carl Nielsen International Competition in Denmark, an event that encourages a unique sense of collaboration and support between competitors
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Vadim Gluzman: Life Lessons
The Israeli violinist talks about dealing with self-doubt and developing a strong work ethic
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Analysis June 2022: The high cost of conflict
With the war in Ukraine now in its third month, many musicians are still trapped in the country. Two string players who left in the nick of time reflect on their experiences – and how we can help
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‘And the thieves got clean away’: From the archive: June 1892
An anonymous article entitled ‘Fiddle Dealers, Beware!’ reveals how two of London’s best-known violin dealers were swindled by a pair of European con artists
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Competitions, Awards and Appointments: June 2022
This month’s competition results, appointments and forthcoming contests
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Auction Report: June 2022
Kevin MacDonald finds some unusual offerings, including an interesting quartet of bows, at the capital’s March auctions
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June 2022: Editor’s welcome and contents
The Strad’s editor Emma Baker introduces the June 2022 issue
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‘Where else may there be thriving, yet-to-be-discovered hubs of violin making?’: Letters to the Editor June 2022
A selection of letters The Strad receives each month from its readers around the world: June 2022 issue
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Masterclass: Simon Standage on Bach’s Violin Sonata in E major
Early music expert Simon Standage discusses historically informed performance, interpretation and balancing violin and harpsichord in the first two movements of BWV1016
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Making Matters: Historically Informed?
Are the gut strings used in HIP really true to those used by 18th- and 19th-century players? Kai Köpp examines the technical reasons why today’s strings might sound quite different from their predecessors
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Sentimental Work: Renaud Capuçon
Despite being a ‘non-violinistic’ piece, the Brahms Violin Sonata no.1 stands out for the French violinist as the work that helped him discover the wonders of chamber music
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Opinion: A New Deal for Early Music
Covid-19 has highlighted the economic inequalities that divide musicians who perform on period instruments from the majority of today’s string players, says Andrew Mellor
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Analysis: Support Network
The past few years have seen a change in attitudes regarding mental health provision at UK music colleges. How are conservatoires responding to rapidly growing demand? From January 2020
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Sentimental Work: Amanda Forsyth
For the Canadian cellist, Richard Strauss’s Don Quixote is a rollercoaster ride through all the composer’s Romantic works, as well as a huge physical challenge
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Analysis: Brain training
Can learning a musical instrument have a positive effect on a child’s mental health? Players and teachers give their thoughts on the psychological benefits for young people, as Peter Somerford finds out
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Making Matters: Shaping the head
Violin makers have always been aware of physical issues like repetitive strain injury – but it’s just as important to take care of their mental health and wellbeing. John Beames examines some of the most common problems, and suggests some ways to combat them
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Astrid Schween: Life Lessons
The Juilliard Quartet cellist recalls her many tutors and stresses the importance of staying curious