All Regulars articles – Page 44
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Premium ❘ FeatureTrade Secrets: Reinforcing a cello bridge
A method of inserting carbon-fibre rods to ensure the bridge retains its shape
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Premium ❘ FeatureMaking Matters: The height of perfection
Double bass repairers know the value of raising the saddle to help the instrument’s sound open up – but how much do you raise it by? Felix Habel reveals the formula that can give an exact measurement every time
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FeatureSentimental Work: Amit Peled
Bloch’s Prayer was the Israeli–American cellist’s entry to understanding Jewish music – and in fact provides a perfect example of ‘the Jewish sonata form’
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DebateOpinion: Touching a nerve
Although nervous energy can lead to inspired playing, it can also result in performance anxiety – unless we find ways to control it, writes cellist Laura van der Heijden
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FocusJohan Dalene: Life Lessons
Two years on from winning the Carl Nielsen International Competition, the 20-year-old Swedish violinist is staying close to his roots
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Premium ❘ ArticleMarch 2021: Welcome
The Strad’s editor Charlotte Smith introduces the March 2021 issue
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ArticleProducts March 2021: Musafia violin case
Reducing weight with a layer of ‘bullet-proof’ protection
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Premium ❘ NewsAnalysis March 2021: Complexity crisis
The Brexit deal has generated many unanswered questions regarding UK–EU touring, which have left UK music bodies scratching their heads. How can musicians negotiate the minefield? By Harry White
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Premium ❘ ArticleSoundpost: Letters to the Editor March 2021
A selection of letters The Strad receives each month from its readers around the world: March 2021 issue
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Premium ❘ FeatureFrom the Archive: March 1941
After literary siblings Edith, Osbert, and Sacheverell Sitwell win £350 each in a libel case, The Strad muses on what the verdict might mean for arts critics in the future
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Premium ❘ FeatureMaking Matters: Secrets of the sticks
New software, soon to be released as a free download, promises to help bow makers measure historical examples and adapt their own methods accordingly. Nelly Poidevin explains how it works
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Premium ❘ FeatureMasterclass: Simon Standage on Bach’s Violin Sonata in E major part 2
British violinist Simon Standage looks at the Adagio ma non tanto and ‘firework’ finale, in the second of two articles exploring this 18th-century work for violin and harpsichord
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Premium ❘ FeatureTrade Secrets: Carving the neck on a viola da gamba
One of the last jobs to be tackled in the process of making the Baroque instrument
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DebateOpinion: A new light
Debussy’s Sonata for flute, viola and harp is just one of many works written for that combination, and is a prime example of how loosening fixed traditions can open new and exciting sound worlds, writes Toby Deller
