All Reviews articles – Page 10
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ReviewConcert review: Joshua Bell (violin) Philadelphia Orchestra/Christoph Eschenbach
Bruce Hodges hears the performance of Chopin (arr.Milstein), Vieuxtemps, Chausson and Brahms at Philadelphia’s Verizon Hall on 16 February 2024
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ReviewConcert review: Inbal Segev (cello) London Philharmonic Orchestra/Oksana Lyniv
Peter Quantrill hears the performance of Victoria Vita Polevá and Dvořák at London’s Royal Festival Hall on 9 February 2024
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ReviewPhilippe Graffin: Rêves
World-premiere recordings of newly discovered works are given with panache
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ReviewConcert review: Silesian Quartet, Mats Lidström (cello)
Edward Bhesania hears the performance of Weinberg and Lutosławski at London’s Wigmore Hall on 19 February 2024
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ReviewConcert review: Pablo Ferrández (cello) London Philharmonic Orchestra/Karina Canellakis
Edward Bhesania hears the performance of Brahms, Mussorgsky and Shostakovich at London’s Royal Festival Hall on 21 February 2024
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ReviewThe Strad Recommends: Daniel Rowland: Richter
A new approach to an iconic piece proves seductive
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ReviewThe Strad Recommends: Tim Posner: Bloch, Bruch, Dohnányi
An impressive concerto debut from a characterful young Brit
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ReviewThe Strad Recommends: Trio Zimbalist: Auerbach, Dvořák, Weinberg
Performances to sit alongside the finest in this enterprising programme
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ReviewIsabelle Faust, Boris Faust: Britten
A strikingly urgent reading sets this new Britten concerto apart
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ReviewBook review: Bows, Strings and Dreams
Lauren Wesley-Smith reviews the autobiography of 16-year-old violin wunderkind Leia Zhu
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ReviewBook review: Italian Violin Making in Argentina
Bharat Khandekar reviews Pablo A. Saraví’s publication on the little-known culture of lutherie among the immigrant population of South America’s second-largest country
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ReviewBook review: Angel Eyes
Anne Inglis reviews the first in a projected quintet of novels by Roger Graham Hargrave centred on the violin business
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ReviewBook review: Bach Six Suites for Violoncello solo (BWV1007–12) arranged for viola solo
Misha Galaganov reviews Bärenreiter’s new edition of the Bach Suites edited for performance by violists
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ReviewLaura van der Heijden: Path to the Moon
Fine musicianship can’t quite overcome a flawed programme concept
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