All Trade Secrets articles – Page 2
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Trade Secrets: Small tools, big help
A number of labour-saving devices designed to make life easier at the workbench
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Trade Secrets: Designing a bridge for a violin with distorted arching
A solution to a common problem in antique instruments
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Trade Secrets: Lengthening a violin neck
An alternative to performing a neck graft, without the need for making a replacement
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Trade Secrets: Repairing damaged blocks
A conscientious method that preserves as much information as possible for future restorers
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Trade Secrets: Neck shaping
A quick and accurate method for this crucial part of the making process
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Trade Secrets: Inlay techniques
Giving a decorative flourish to an instrument can add a personal touch – and be a true test of skill
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Trade Secrets: Notes on cello endpin fitting
A guide to veneer bushing and creating an ‘abrasive reamer’ for making adjustments
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Trade secrets: making and fitting purfling
A solution to the awkward problem of how to insert strips around the neck heel area, by Hans Pluhar
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Trade Secrets: a peninsular bench extension
Ideas for a workplace addition that is completely accessible from all three of its sides
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Trade Secrets: Flattening planes
A sadly necessary task for all luthiers, which should have been taken care of by the manufacturer in the first place
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Trade Secrets: Arching, channelling and edgework
A method that unites all three parts of the making process, for a more coherent and efficient way of working
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Trade Secrets: Recreating original purfling
Precision and care are prerequisites for this detailed restoration method
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Trade Secrets: Asymmetric neck shaping
A method that allows for deviation from the standard neck outline, for the comfort of the individual player
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Trade Secrets: Making a Tourte-style eye
How to use gold, tortoiseshell and abalone in copies of works by the ‘father of the modern bow’
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Trade Secrets: Regluing split corner-blocks
A reliable method for rejoining blocks split for a restoration, particularly useful for cello repairs
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Trade Secrets: Making a mould and rib structure for a copy of an old instrument
A method that compensates for the differences in outline of the front and back plates
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