![Bottesini_Artwork[DIGITAL]](https://dnan0fzjxntrj.cloudfront.net/Pictures/380x253/6/8/9/36689_bottesini_artworkdigital_876468_crop.jpg)
Bruno Giuranna, who writes about tone production in The Strad's March 2015 issue Technique section, performs Marin Marais on a 1717 Stradivarius viola with pianist Clara Dutto at the Museo del Violino in Cremona, Italy.
Subscribe to The Strad or download our digital edition as part of a 30-day free trial. To purchase single issues click here.
The violin from 1707 will be loaned to Queen Elisabeth Music Chapel associate artist Miclen LaiPang until the end of 2027
The auction house’s head photographer gives details on his camera set-up, lighting, studio layout and the different requirements of front, side, back and scroll shots
Bow makers Victor Bernard and Emmanuel Carlier were named ‘hors concours’ members, while Canadian luthier Fabienne Gauchet received a double gold for quartet - for the second time
The Sarabande from Bach’s Cello Suite no.6 is the latest single to be released from the cellist’s upcoming album
Bernsted performs a solo work that she describes as having ‘complexity like a kaleidoscope’
Check out a string chamber version of Vaughan Williams’s beloved work for violin
No comments yet