![Bottesini_Artwork[DIGITAL]](https://dnan0fzjxntrj.cloudfront.net/Pictures/380x253/6/8/9/36689_bottesini_artworkdigital_876468_crop.jpg)
This is a presentation by violin maker Kevin Kelly about the Four Circle system, showing a stepwise progression from the earliest to the latest Cremonese violin designs, from a 1550 Amati to a 1741 Guarneri ‘del Gesù’ and the Stradivari ‘P’ form.
The presentation uses Harry Mairson’s Digital Amati computer program
Read: Digital Amati: a computer program putting luthiers back in touch with ancient principles
Over 1.5 million trees felled in the area favoured by Stradivari for collecting wood
A decade ago, François Denis’s Traité de Lutherie showed how the old Italians used Euclidean geometry to design their instruments. Now a computer program based on these principles allows luthiers to construct and adapt patterns quickly and easily. Its creator, Harry Mairson, explains the genesis of Digital Amati
The auction house’s head photographer gives details on his camera set-up, lighting, studio layout and the different requirements of front, side, back and scroll shots
The Sarabande from Bach’s Cello Suite no.6 is the latest single to be released from the cellist’s upcoming album
Bernsted performs a solo work that she describes as having ‘complexity like a kaleidoscope’
Check out a string chamber version of Vaughan Williams’s beloved work for violin
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