All violin articles – Page 33
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FocusDoes success in music competitions really matter?
Violin laureates share their stories with The Strad
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ArticleBBC to cut Nigel Kennedy 'apartheid' statement
The BBC has confirmed it will remove a statement made last week by violinist Nigel Kennedy at a Proms concert for its TV broadcast on 23 August. The statement, made from the stage of the Royal Albert Hall, came at the end of a concert by Kennedy and ...
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FocusAlbert Spalding: ‘The Greatest American Violinist'
The life of the US musician, born 125 years ago this month, is celebrated in our August issue. Here's an interview with Spalding at the start of his career
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BlogsNigel Kennedy's Vivaldi at the BBC Proms
What's it like hearing the 'quasi-punk' violinist in concert for the first time? Our editorial assistant Pauline Harding reports
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FocusJames Ehnes on Mozart
In an article from August 2006, the Canadian violinist explains how he wrote his own cadenzas for the composer's violin concertos
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ArticleArgentina's first stringed-instrument gallery set for opening
A museum in Buenos Aires is to open a new permanent exhibition hall dedicated to stringed instruments in October. Officials at the Isaac Fernández Blanco Museum of Spanish–American Art believe that the new gallery will be the first such exhibition space in Argentina. Among the instruments to be displayed is ...
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BlogsA Brief Survey of Summer Festivals Without All the Bother of Joining a String Quartet – Part 1
American String Quartet violist Daniel Avshalomov begins his blog tour of US festivals with song and dance – both courtesy of larger-than-life choreographer Mark Morris – in Ojai, California
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ArticleTwo violinists share top prize at Cooper International Competition
Kyumin Park, 16, from South Korea, and 18-year-old William Ching-Yi Wei, from Taiwan, were joint first-prize winners of the Cooper International Violin Competition in Cleveland, US.Park (pictured) and Wei each received $10,000. The second prize of $6,000 went to Ming Liu, 18, from China. All three violinists, who performed in ...
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FocusWhat's in the August digital edition
With The Strad’s digital edition, you can jump from the cover or the contents pages straight to the articles you want to read. You can also link directly to pages on thestrad.com or to products in The Strad Library. Not only that, there’s a wealth of additional ...
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FocusEXCLUSIVE: David Aaron Carpenter plays Brahms
In February this year, we caught up with US violist David Aaron Carpenter as he was preparing to record Brahms’s Clarinet Quintet op.115 (viola version) with members of the Berlin Philharmonic. You can read the interview in our August issue, available now for download or in print. ...
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ArticleHospital CT scan reveals more on so-called 'Titanic violin'
A violin thought to have been played during the sinking of the RMS Titanic has undergone a hospital CT scan to determine its age and condition. The research, commissioned by auctioneers Henry Aldridge & Son, showed that the instrument had been damaged and restored. Radiographer Astrid ...
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FocusSzigeti as teacher: Andrew Watkinson
Andrew Watkinson, violinist and teacher at the Guildhall School of Music & Drama, remembers how he met and studied with Joseph Szigeti in 1970:'I was 16 years old at the time, and I’d secured a university place, but I was looking for something to do as a gap ...
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FocusDoes success in music competitions really matter? – Part Two
Violin laureates share their stories with The Strad
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Article
Min-Jin Kym's 1696 Stradivarius violin is taken from a sandwich bar
A £15,000 reward has been offered for information leading to the recovery of a Stradivarius violin stolen in London. The 1696 instrument, valued at around £1.2m, was stolen along with two bows from a branch of Pret a Manger outside Euston Station on 29 November. The victim of the theft ...
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BlogsOpinion: painting pretty pictures on instruments simply degrades them, argues Ariane Todes
Clay, stone metal, paper, canvas, glass, timber: just some of the media available on which to imprint your imagination if you’re a visual artist. So why does anybody insist on painting flowers, clouds, pretty patterns or cherubs on violins? The subject came up in The Strad office ...
